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Mary O’Donoghue

MY DAUGHTER IN WINTER COSTUME

MY DAUGHTER IN WINTER COSTUME

MY DAUGHTER IN WINTER COSTUME

She is sealed like a bomb in her anorak.
Her face is flushed fruit under the hood.
She’s already moving away. I want to call her back.
 
At nine in the morning the sky is blue-black.
I think of hard falls, split lips, her blood.
But she’s sealed like a bomb in her anorak,
 
and shouting to friends on the tarmac,
a yardful of children, a tide, a flood
already moving away. I want to call her back,
 
I’m faint, suddenly starved with the lack
of her, and determined that she should
know, all sealed like a bomb in her anorak.
 
Grip the wheel. Radio on. The yakety-yak
of today’s talking heads on How to Be Good.
The morning is moving away. I want to call her back.
 
This is what it’s like to be left slack,
the cord frayed like I knew it would.
She is sealed like a bomb in her anorak,
already moved away, and I can’t call her back. 
Mary O’Donoghue

Mary O’Donoghue

(Ierland, 1975)

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MY DAUGHTER IN WINTER COSTUME

She is sealed like a bomb in her anorak.
Her face is flushed fruit under the hood.
She’s already moving away. I want to call her back.
 
At nine in the morning the sky is blue-black.
I think of hard falls, split lips, her blood.
But she’s sealed like a bomb in her anorak,
 
and shouting to friends on the tarmac,
a yardful of children, a tide, a flood
already moving away. I want to call her back,
 
I’m faint, suddenly starved with the lack
of her, and determined that she should
know, all sealed like a bomb in her anorak.
 
Grip the wheel. Radio on. The yakety-yak
of today’s talking heads on How to Be Good.
The morning is moving away. I want to call her back.
 
This is what it’s like to be left slack,
the cord frayed like I knew it would.
She is sealed like a bomb in her anorak,
already moved away, and I can’t call her back. 

MY DAUGHTER IN WINTER COSTUME

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