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Ranjit Hoskote

Annotation to the Ustad’s Treasury of Verses

Annotation to the Ustad’s Treasury of Verses

Annotation to the Ustad’s Treasury of Verses

No poems, really, from the Ustad’s middle period.
Just a few notations he’d left to brew.
Her ivory comb. A strand of wool torn free
by a trailing fingernail, redder than any gulmohur.
Jade bowls standing on a smoke-blackened shelf.
In the window, the river’s spilt silver.
A tortoiseshell cat playing on the doorstep.
And, cancelled in a rage of strokes,
the grey-eyed sitarist drowning, out of earshot.

Just this broken song, suggesting he had chosen
to tarnish his rhymes with a warmer breath
than the court would permit. He sings
of his draggled woollen coat, his winters
spent in a potter’s kiln, roofed in colour
by fickle skies, the river a shrivelled skin of ice,
the wildcat his one companion, the drum and blast
of rain his only music: he’s begun, already, to hear
the perfect cadence beaten on the heart’s shattered anvil.
Ranjit  Hoskote

Ranjit Hoskote

(India, 1969)

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Annotation to the Ustad’s Treasury of Verses

No poems, really, from the Ustad’s middle period.
Just a few notations he’d left to brew.
Her ivory comb. A strand of wool torn free
by a trailing fingernail, redder than any gulmohur.
Jade bowls standing on a smoke-blackened shelf.
In the window, the river’s spilt silver.
A tortoiseshell cat playing on the doorstep.
And, cancelled in a rage of strokes,
the grey-eyed sitarist drowning, out of earshot.

Just this broken song, suggesting he had chosen
to tarnish his rhymes with a warmer breath
than the court would permit. He sings
of his draggled woollen coat, his winters
spent in a potter’s kiln, roofed in colour
by fickle skies, the river a shrivelled skin of ice,
the wildcat his one companion, the drum and blast
of rain his only music: he’s begun, already, to hear
the perfect cadence beaten on the heart’s shattered anvil.

Annotation to the Ustad’s Treasury of Verses

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